Ghost in the Shell, cut no. 228, poster

from €65.00

Artist: Shuichi Kusamori
Edition: 500 copies
Print type: lithograph (offset print)
Paper: Magno Volume 200 g/m²
Format: 70 × 50 cm

The poster is available in two options.

Choose between the plain poster shipped in a tube, or the poster mounted on a 3mm aluminum composite sheet including our custom made picture hook, delivered flat and ready to hang on your wall.

Posters ship within one week. Posters mounted on a panel are custom made and take 2 to 3 weeks to deliver.

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Artist: Shuichi Kusamori
Edition: 500 copies
Print type: lithograph (offset print)
Paper: Magno Volume 200 g/m²
Format: 70 × 50 cm

The poster is available in two options.

Choose between the plain poster shipped in a tube, or the poster mounted on a 3mm aluminum composite sheet including our custom made picture hook, delivered flat and ready to hang on your wall.

Posters ship within one week. Posters mounted on a panel are custom made and take 2 to 3 weeks to deliver.

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Artist: Shuichi Kusamori
Edition: 500 copies
Print type: lithograph (offset print)
Paper: Magno Volume 200 g/m²
Format: 70 × 50 cm

The poster is available in two options.

Choose between the plain poster shipped in a tube, or the poster mounted on a 3mm aluminum composite sheet including our custom made picture hook, delivered flat and ready to hang on your wall.

Posters ship within one week. Posters mounted on a panel are custom made and take 2 to 3 weeks to deliver.

The last three images show the poster mounted on a panel. See our blog post for more information on this product option. We also created a guide on how to set up our custom made picture hooks.

In Ghost in the Shell's gloomy vision of the near future, the open sky is barely visible. The art department focused almost exclusively on depicting the built environment, creating a claustrophobic ambience at times.

This final production background is based on a layout by Atsushi Takeuchi.

In an interview conducted by Stefan Riekeles with Shuichi Kusamori in January 2023 the artist said: “Doing this was a dream for me. I was simply enjoying life to the fullest. I don't recall specifically thinking about how to approach this cut or whatever deliberate choices. What I do remember is just continuously adding more vertical strokes.
Once I start painting I tend to get absorbed in the details, like slight variations in how the rust peels. Reference photographs were a departure point, but once I've started drawing, I'm no longer consciously thinking about reference materials”.

 
 

© 1995 Shirow Masamune / KODANSHA • BANDAI VISUAL • MANGA ENTERTAINMENT. All Rights Reserved.

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